BIRD EFFORT
by Ronald Baatz
Kamini Press Ringvagen 8 4th floor SE-117 26, Stockholm, Sweden
This is another of those gorgeous little editions Henry Denander, who's a poet of considerable talents himself, is producing on his Kamini Press, and number 4 in the series is another selection of poems by Ronald Baatz. 46 (I make it!) American tanka, one might as well call them, and two haiku about nature, animals and ageing--which may not sound promising to anyone who prefers urban poetry or who isn't versed in the traditional forms Ronald adapts so marvellously to the modern idiom. But trust me if you can! The poetry is melancholy, funny, lyrical and even the simplest observation echoes in the mind with revealed truths for a long time afterwards.You'll read it, then you'll step outside and notice something you've never seen before. He's the successor to Kerouac as a poet in adapted Chinese and Japanese verse forms, to my mind, is Ronald, and very few people could have taken Jack's mantle off his shoulders.
Sunday, March 22, 2009
Tuesday, March 17, 2009
t. kilgore splake
cojones time
“sun light here i am”
charles bukowski
muse long gone
no blank page contests
past distant memories
destiny in hand
hot chivas rush
bardic blood boiling
brain skull cavity
distant gray fog
dull hum hum humming
.357 ticket to ride
spared nursing home
score tied
overtime eternity
compulsive voyeur
talking only to talk
never understanding
emptiness of spoken word
drying alone on hospital gurney
helpless afraid
his song unwritten
winter diary
too late
to tell my story
artistic essence fading
shadow dancing
across new borders
something more intense
darker
sweet dreams
only white guy
ghetto hoops team
big city metro
jukes and dekes
pulling up
skyin’ high
top of the key
soft fade away j
rippling chain net
street cred
waking from darkness
tortured eternity
writer’s black brain death
skull cavity empty
first dawn
streaking far horizon
steady light snow
turning paris white
rue montparnasse
lover’s footsteps
vanishing in
early morning light
tru gen
fancy workout threads
logging exercise miles
video with jake
air conditioned
knotty pine
bulls in hot pursuit
wanabe lady brett
cohn flynn
on pamplona holiday
bloody shit stink
wine soaked sweat
wild ass frenzy
racing toward
sun’s
black side
time to go home
midnight quiet
streetlight blinking below
seventh story window
hospital cardiac unit
saline iv solution
staccato rippling echo
distant owl calling
winter coming
mad poet passing
waking from blackout
night light shadows
scattered jelly glasses
empty thunderbird deliriums
gone gone gone
“last train to clarksville”
racing through the station
chest throbbing
jackhammer heart pains
stomach acid boiling
oxygen tank hissss
needing new diaper
distant graying poet
nurse stealing meds
no longer feeling welcome
“shit and git”
vanished youthful memories
boy doing things
missing sweet wet kisses
no more nights together
black magnum solution
hole behind his ear
left this morning
never coming home
last clarksville train
washing down aspirins
warm blue ribbon suds
damp gray first dawn
jerry lee’s cassettes silent
black terminal loneliness
yesterday wife saying
“things got to change”
squeeze the trigger
gain methodist salvation
promised better life
“sun light here i am”
charles bukowski
muse long gone
no blank page contests
past distant memories
destiny in hand
hot chivas rush
bardic blood boiling
brain skull cavity
distant gray fog
dull hum hum humming
.357 ticket to ride
spared nursing home
score tied
overtime eternity
compulsive voyeur
talking only to talk
never understanding
emptiness of spoken word
drying alone on hospital gurney
helpless afraid
his song unwritten
winter diary
too late
to tell my story
artistic essence fading
shadow dancing
across new borders
something more intense
darker
sweet dreams
only white guy
ghetto hoops team
big city metro
jukes and dekes
pulling up
skyin’ high
top of the key
soft fade away j
rippling chain net
street cred
waking from darkness
tortured eternity
writer’s black brain death
skull cavity empty
first dawn
streaking far horizon
steady light snow
turning paris white
rue montparnasse
lover’s footsteps
vanishing in
early morning light
tru gen
fancy workout threads
logging exercise miles
video with jake
air conditioned
knotty pine
bulls in hot pursuit
wanabe lady brett
cohn flynn
on pamplona holiday
bloody shit stink
wine soaked sweat
wild ass frenzy
racing toward
sun’s
black side
time to go home
midnight quiet
streetlight blinking below
seventh story window
hospital cardiac unit
saline iv solution
staccato rippling echo
distant owl calling
winter coming
mad poet passing
waking from blackout
night light shadows
scattered jelly glasses
empty thunderbird deliriums
gone gone gone
“last train to clarksville”
racing through the station
chest throbbing
jackhammer heart pains
stomach acid boiling
oxygen tank hissss
needing new diaper
distant graying poet
nurse stealing meds
no longer feeling welcome
“shit and git”
vanished youthful memories
boy doing things
missing sweet wet kisses
no more nights together
black magnum solution
hole behind his ear
left this morning
never coming home
last clarksville train
washing down aspirins
warm blue ribbon suds
damp gray first dawn
jerry lee’s cassettes silent
black terminal loneliness
yesterday wife saying
“things got to change”
squeeze the trigger
gain methodist salvation
promised better life
Sunday, January 25, 2009
Review: COKEFISH ing
IN ALPHA BEAT SOUP
A Beat-Post Beat Independent Poetry Broadsheet
January 2009
"Cokefish" or "Cokefishing" is a pretty unique publication in that it really is a broadsheet, printed on two sides of a giant piece of paper which arrived at my door (at least) folded in quarters, and set in a variety of types, largely because the type that each poem or letter (it features author letters too) was submitted in seems to have been copied directly onto the broadsheet. And this is a choice the editors Dave and Ana Christy are making: "This broadside is dedicated to the small press and the way it used to be," reads the legend over the top of the first poems, next, in this issue, to a photocopied picture of the late, much lamented Dave Church, whose passing several poems and letters commemorate.
I like their style here. This is the sort of homemade, no-frills publication which sold me on the romance of the small press in the first place, when Bryn Fortey was doing something similar in Wales, though he folded his sheets in half and stapled them. Bryn introduced me, through his "Outlaw" magazine, to some of the best living poets, including (as he was) Church and t.kilgore splake; and Dave and Ana's roster includes both of those old greybeard heroes, along with Steve Dalachinsky, whose work I found impossible to format for BEATNIK (sorry Steve) and Gundy, whose name I came across a few years ago and haven't heard from for a while, during my own weird peregrinations around the literary world and in real unreality. It's good to know that there are still some places where the way a magazine/ publication looks doesn't matter and the way it reads does. Lately even Beat-influenced sites have gone for fancy production which has nothing to do with the original spirit of the writing.
You can track "Cokefish (ing)" down via Alpha Beat Press and Dave and Ana Christy at 806 E. Ridge Ave. Sellersville PA 18960 USA. And like I said, it's a buck an issue, so remunerate the Christys accordingly.
A Beat-Post Beat Independent Poetry Broadsheet
January 2009
"Cokefish" or "Cokefishing" is a pretty unique publication in that it really is a broadsheet, printed on two sides of a giant piece of paper which arrived at my door (at least) folded in quarters, and set in a variety of types, largely because the type that each poem or letter (it features author letters too) was submitted in seems to have been copied directly onto the broadsheet. And this is a choice the editors Dave and Ana Christy are making: "This broadside is dedicated to the small press and the way it used to be," reads the legend over the top of the first poems, next, in this issue, to a photocopied picture of the late, much lamented Dave Church, whose passing several poems and letters commemorate.
I like their style here. This is the sort of homemade, no-frills publication which sold me on the romance of the small press in the first place, when Bryn Fortey was doing something similar in Wales, though he folded his sheets in half and stapled them. Bryn introduced me, through his "Outlaw" magazine, to some of the best living poets, including (as he was) Church and t.kilgore splake; and Dave and Ana's roster includes both of those old greybeard heroes, along with Steve Dalachinsky, whose work I found impossible to format for BEATNIK (sorry Steve) and Gundy, whose name I came across a few years ago and haven't heard from for a while, during my own weird peregrinations around the literary world and in real unreality. It's good to know that there are still some places where the way a magazine/ publication looks doesn't matter and the way it reads does. Lately even Beat-influenced sites have gone for fancy production which has nothing to do with the original spirit of the writing.
You can track "Cokefish (ing)" down via Alpha Beat Press and Dave and Ana Christy at 806 E. Ridge Ave. Sellersville PA 18960 USA. And like I said, it's a buck an issue, so remunerate the Christys accordingly.
Monday, January 19, 2009
Review: WATCHING SPARROWS
by Ronald Baatz
Kamini Press
Ringvagen 8
4th Floor
SE-117 26
Stockholm
Sweden
www.kaminipress.com
A beautiful little volume, this; and little it is--a three stanza poem by Ronald on high quality paper tastefully presented inside a harder cover which itself features a picture by Kamini's Henry Denander. The picture illustrates the main subjects of the poem: two sparrows feeding. But of course, Ronald's not just a nature poet describing the pleasurable things he sees in front of him when he looks out of his window. He's a little bit of a Zennist and a little bit of a Surrealist, writing with the elegance and mystery of the former tradition and the sly intelligence of the latter. There's a lot going when Ronald writes about two sparrows. But to try to tell you what it is would be absurd, a complete waste of time. The birds would only fly away.
You will read him if you want to.
Kamini Press
Ringvagen 8
4th Floor
SE-117 26
Stockholm
Sweden
www.kaminipress.com
A beautiful little volume, this; and little it is--a three stanza poem by Ronald on high quality paper tastefully presented inside a harder cover which itself features a picture by Kamini's Henry Denander. The picture illustrates the main subjects of the poem: two sparrows feeding. But of course, Ronald's not just a nature poet describing the pleasurable things he sees in front of him when he looks out of his window. He's a little bit of a Zennist and a little bit of a Surrealist, writing with the elegance and mystery of the former tradition and the sly intelligence of the latter. There's a lot going when Ronald writes about two sparrows. But to try to tell you what it is would be absurd, a complete waste of time. The birds would only fly away.
You will read him if you want to.
Sunday, January 04, 2009
Luis Cuauhtemoc Berriozabal
ed: i think there's something subtly original in Luis' poetry, which is why i'm always thrilled to publish anything he sends.i don't quite know what that quality of originality is--how exactly to define it--but it's there. have a look for yourself and tell us what you think.
TERRIBLE FEARS
I harvest fears
like a worried farmer.
My tools of the trade
are my thoughts.
My nights are sleepless
and my days are long.
I can't stop looking
over my shoulder.
Every step I take
I fear will be my last.
I succumb to
my fears sometimes
and I hide under
my bedcovers.
I worry about
spiders and bedbugs.
ONE OF THE STONES
I was online at an early hour.
I was living online.
I was one of the stones
in this great online city.
I was the stone Sisyphus
could not budge. I was not soft
and I stood out. Man after
man tried to push me offline.
A minister thought I was evil.
At three a.m. the minister
could not bear my presence.
His sermon e-mails went straight
into my spam folder. I was
an unholy stone in the online city.
ANOTHER VOICE
I heard another voice
in my head that
put me in a bad mood
and made my heart
beat without rest.
The voice made me shake
from my head to my ankles.
It was not pretty.
Another voice made me come
apart and took my pride.
I was not much of anything.
I asked the voice
politely to get out of my head.
The voice paid me no mind.
TERRIBLE FEARS
I harvest fears
like a worried farmer.
My tools of the trade
are my thoughts.
My nights are sleepless
and my days are long.
I can't stop looking
over my shoulder.
Every step I take
I fear will be my last.
I succumb to
my fears sometimes
and I hide under
my bedcovers.
I worry about
spiders and bedbugs.
ONE OF THE STONES
I was online at an early hour.
I was living online.
I was one of the stones
in this great online city.
I was the stone Sisyphus
could not budge. I was not soft
and I stood out. Man after
man tried to push me offline.
A minister thought I was evil.
At three a.m. the minister
could not bear my presence.
His sermon e-mails went straight
into my spam folder. I was
an unholy stone in the online city.
ANOTHER VOICE
I heard another voice
in my head that
put me in a bad mood
and made my heart
beat without rest.
The voice made me shake
from my head to my ankles.
It was not pretty.
Another voice made me come
apart and took my pride.
I was not much of anything.
I asked the voice
politely to get out of my head.
The voice paid me no mind.
Monday, December 22, 2008
J.D. Nelson
The Good News Dumpsters of Chicago
BLAB-OON IN A TEST TUBE: This is some first-rate carrot cake!
DUNGAREE CLYDE: Mirror plaid -- the lyre is smelty.
BLAB-OON IN A TEST TUBE: I'd be better off if I were a potted plant.
DUNGAREE CLYDE: Butter nuff ye scone!
BLAB-OON IN A TEST TUBE: Ask for crackers & a lantern.
DUNGAREE CLYDE: I ain't jokely -- ching wooze alumna.
BLAB-OON IN A TEST TUBE: Whose nuts are in this dish?
DUNGAREE CLYDE: You deserve a snake today.
*******
(haiku)
drifting off to sleep
I jump straight up out of bed --
spider on my nuts
*********
Later, at Feeney's
COKES-ARE-ON-ME: Hey, gang -- Cokes are on me!
DR. ZOLAR: Seriously.
ATTN. PEAT: I lichen this to moss.
RECLUSE X'OR: I peanut buttered & I Shatnered.
OILY CUKE WARBLE: Ghana aftersauce.
COKES-ARE-ON-ME: Pie, Dr. Zolar?
DR. ZOLAR: Three point one four dot dot dot.
ATTN. PEAT: I lichen math jokes.
RECLUSE X'OR: Whadya mean, 'orchid pie' ?!
OILY CUKE WARBLE: Ghana aftersauce.
*********
Good News for Night Owls
1. Salad-a-Day Jon has another red cabbage special.
2A. No more 4 in th' morn corn.
2B. No more blue soda.
3. There's a butterfly in the chocolate milk.
4. (backpack full of weed & zines)
BLAB-OON IN A TEST TUBE: This is some first-rate carrot cake!
DUNGAREE CLYDE: Mirror plaid -- the lyre is smelty.
BLAB-OON IN A TEST TUBE: I'd be better off if I were a potted plant.
DUNGAREE CLYDE: Butter nuff ye scone!
BLAB-OON IN A TEST TUBE: Ask for crackers & a lantern.
DUNGAREE CLYDE: I ain't jokely -- ching wooze alumna.
BLAB-OON IN A TEST TUBE: Whose nuts are in this dish?
DUNGAREE CLYDE: You deserve a snake today.
*******
(haiku)
drifting off to sleep
I jump straight up out of bed --
spider on my nuts
*********
Later, at Feeney's
COKES-ARE-ON-ME: Hey, gang -- Cokes are on me!
DR. ZOLAR: Seriously.
ATTN. PEAT: I lichen this to moss.
RECLUSE X'OR: I peanut buttered & I Shatnered.
OILY CUKE WARBLE: Ghana aftersauce.
COKES-ARE-ON-ME: Pie, Dr. Zolar?
DR. ZOLAR: Three point one four dot dot dot.
ATTN. PEAT: I lichen math jokes.
RECLUSE X'OR: Whadya mean, 'orchid pie' ?!
OILY CUKE WARBLE: Ghana aftersauce.
*********
Good News for Night Owls
1. Salad-a-Day Jon has another red cabbage special.
2A. No more 4 in th' morn corn.
2B. No more blue soda.
3. There's a butterfly in the chocolate milk.
4. (backpack full of weed & zines)
Saturday, October 18, 2008
Royce Icon: Great Name, Great Poems
An apology?
Whilst leaning towards oblivion,
I accidentally tripped on your eyelids,
Which smashed the fish-tank
In symphonic precision
And sent all of the fiji mermaids
Screaming on their bellies,
Ruining your white Christian carpet
In the aftermath,
I searched in my pockets
For some kind of apology
But all I found was link
And a very old condom,
So I guess this will have to do
........
> Flocking the seagulls
Steaming piles of worm food,
They exit their stables with glee:
I attach their pigeons
Alphabetically,
In order to avoid confusion
And feelings of preference:
I am king of desolation
And this is my bastard's song
..........
> While you were sweating
Dismal orgies congregate
In groups of ten or twelve.
They sing old church hymns
And pass around the ganja,
Illusive and unimaginative
In their acts of rebellion
5 seconds later and it's time
To get back to work
Swinging slopping limbs
Into every available orifice
.......
> No Sé Nada. Mija
Frustration mounts
Oregon drowns in sand
I lick my wounds
For the billionth time
And wonder:
Does it get better than this?
Whilst leaning towards oblivion,
I accidentally tripped on your eyelids,
Which smashed the fish-tank
In symphonic precision
And sent all of the fiji mermaids
Screaming on their bellies,
Ruining your white Christian carpet
In the aftermath,
I searched in my pockets
For some kind of apology
But all I found was link
And a very old condom,
So I guess this will have to do
........
> Flocking the seagulls
Steaming piles of worm food,
They exit their stables with glee:
I attach their pigeons
Alphabetically,
In order to avoid confusion
And feelings of preference:
I am king of desolation
And this is my bastard's song
..........
> While you were sweating
Dismal orgies congregate
In groups of ten or twelve.
They sing old church hymns
And pass around the ganja,
Illusive and unimaginative
In their acts of rebellion
5 seconds later and it's time
To get back to work
Swinging slopping limbs
Into every available orifice
.......
> No Sé Nada. Mija
Frustration mounts
Oregon drowns in sand
I lick my wounds
For the billionth time
And wonder:
Does it get better than this?
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