~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Love Is Another Thing
Sitting at the table
spinning the creamer
running her fingers through sugar
the kids spilled at supper, Sue
suddenly says, “Don,
love is another thing.”
Since love is another thing
I have to go rent a room,
leave behind eight years,
five kids, the echoes of me
raging at noon on the phone,
raging at night, the mist
of whose fallout ate her skin,
ate her bones, left her a kitten
crying high in an oak
let me free, let me free
Spider
Warm, wet, wrapped
in each other’s
arms, legs
still for a moment,
we rest
a spider spent,
lost in its web
Bending, Grabbing, Sorting
Chinese Laundry, Chicago
In a storefront laundry
on North Clark Street
brown draperies release
this quiet man
who has my shirts.
He smiles and bows--
how carefully
he wraps them.
Before the draperies
fall back, I see,
for a moment,
in a circle swirling
almost out of sight
three kerchiefed women,
glistening black,
bending, grabbing, sorting.
Those Poems, That Fire
I stood in the alley, still
in pajamas, somebody’s shoes,
another man’s coat, my eyes
on the bronc of the hoses.
Squawed in the blankets of neighbors,
my wife and three children sipped
chocolate, stood orange and still.
Of the hundred or more I had stored
in a drawer, I could remember,
comma for comma, no more than four,
none of them final,
all of them fetal.
Donal Mahoney, a native of Chicago, lives in St. Louis, Missouri. He has worked as an editor for The Chicago Sun-Times, Loyola University Press and Washington University in St. Louis. A Pushcart nominee, he has had poems published by The Wisconsin Review, The Kansas Quarterly, The South Carolina Review, The Beloit Poetry Journal, Commonweal, Public Republic (Bulgaria), The Beanik (U.K), Revival (Ireland), The Istanbul Literary Review (Turkey), The Osprey Journal (Scotland), Pirene's Fountain (Australia) and other publications
Saturday, September 25, 2010
Wednesday, September 22, 2010
Peter D. Marra
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Flesh
Needle
rain.
Cars
pavement
skin
roll around her brain
And the blood speeds
crash veins.
She is laughing
Looks at her fingers and sees what she’s done.
The heads are moving.
Clang. The heads are moving.
Walking along the beach she laughs.
As she walks
down the beach,
Needle rain and salt stinging.
Slowly walks in
smells the
salt
taste
The heads are moving
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Room
Lonely bed stained and
Sheets electric
Soft pain and fluid leaking from the walls
Silent crusty eyes
gazing down
and riding away
White fluid on
the walls
and red streaks
in the air clinging
to the purple darkness
Knife stab bed it’s gone
The mouths shoot anemia.
take away the forgiven
watching for their return.
Knives tinged
Shoot red and wait
The chains broken
into molten
things and
thoughts.
images
to follow soon
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Peter Marra is a 51 year old writer living in Williamsburg Brooklyn who supports himself by trying to do computer-related work while trying to write, make music and create art. He is a fan of “Beyond the Valley of the Dolls,” general grindhouse fare, and art films. He has been published in amphibi.us, Yes,Poetry, Maintenant 4, Beatnik, Crash, and Danse Macabre and is working on his first collection of poems.
Flesh
Needle
rain.
Cars
pavement
skin
roll around her brain
And the blood speeds
crash veins.
She is laughing
Looks at her fingers and sees what she’s done.
The heads are moving.
Clang. The heads are moving.
Walking along the beach she laughs.
As she walks
down the beach,
Needle rain and salt stinging.
Slowly walks in
smells the
salt
taste
The heads are moving
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Room
Lonely bed stained and
Sheets electric
Soft pain and fluid leaking from the walls
Silent crusty eyes
gazing down
and riding away
White fluid on
the walls
and red streaks
in the air clinging
to the purple darkness
Knife stab bed it’s gone
The mouths shoot anemia.
take away the forgiven
watching for their return.
Knives tinged
Shoot red and wait
The chains broken
into molten
things and
thoughts.
images
to follow soon
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Peter Marra is a 51 year old writer living in Williamsburg Brooklyn who supports himself by trying to do computer-related work while trying to write, make music and create art. He is a fan of “Beyond the Valley of the Dolls,” general grindhouse fare, and art films. He has been published in amphibi.us, Yes,Poetry, Maintenant 4, Beatnik, Crash, and Danse Macabre and is working on his first collection of poems.
Saturday, September 11, 2010
Peter D. Marra
~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Hiroshima
She
stares
at
the shadows
permanently
etched
in the sidewalk.
Blood and pebbles
laugh back at her.
embedded in the
black light glow.
the figurine smiles back at her;
Memories of where she went wrong:
Where
she
did
wrong and
When she did pain.
And she likes it –
the slight
spine-chill
Dark
eye
circles
and
the savory destruction.
~~~~~~~~~~~~~~~~~~~~~~~~~
dr. schnooks
dr.
schnooks
the
cherub
tidbit
she writhes
in laughter and
writhes in agony
sitting in the antechoir
laughing
at
the
pious
dr.
schnooks
straightens
her
red
corset
and black stockings
the kind
with the seam up the back leg.
‘40’s
it doesn’t feel good anymore
the skin slips off
the darkness
comes.
out.
the body revealed
the skull and the bones
lie down in the arms of a mother
and try to get home
lie down in the arms and try to get home
to lick away the marble tears.
Hiroshima
She
stares
at
the shadows
permanently
etched
in the sidewalk.
Blood and pebbles
laugh back at her.
embedded in the
black light glow.
the figurine smiles back at her;
Memories of where she went wrong:
Where
she
did
wrong and
When she did pain.
And she likes it –
the slight
spine-chill
Dark
eye
circles
and
the savory destruction.
~~~~~~~~~~~~~~~~~~~~~~~~~
dr. schnooks
dr.
schnooks
the
cherub
tidbit
she writhes
in laughter and
writhes in agony
sitting in the antechoir
laughing
at
the
pious
dr.
schnooks
straightens
her
red
corset
and black stockings
the kind
with the seam up the back leg.
‘40’s
it doesn’t feel good anymore
the skin slips off
the darkness
comes.
out.
the body revealed
the skull and the bones
lie down in the arms of a mother
and try to get home
lie down in the arms and try to get home
to lick away the marble tears.
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